how did rap music give reynolds “voice”?

28/02/2021

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How did rap music give Reynolds “voice”. NEA: Anything else you wished I'd asked or would like to add? How can you create discomfort without having to say it, without having to spell it out? Only this man isn’t real. Who is the person? Learn more about Minaj’s life and career. Take a visual walk through his career and see 14 images of the characters he's voiced and listen to 7 clips that showcase his performances.. Trivia & Fun Facts: Who doesn't like to see their progress? REYNOLDS: Ultimately, I'm not interested in teaching much of anything. What role did hip hop play in helping Reynolds to become a writer? Art Talk with Jason Reynolds | National Endowment for the Arts REYNOLDS: Of course. What's the timbre? I think sometimes what young people need more than anything is someone to say, "I understand. It lets him express himself and show who he is Typically for me, it's all about who I want to write about. Jason Reynolds. He began writing poetry at age nine, and published several collections of poetry before finding his groove within young adult and middle-grade literature, writing the very books he would have loved to have read as a boy. REYNOLDS: I think interest, I think excitement. If the language can sing off the page or if the language can attach itself to the psyche of the reader or the self of the reader or the heart of the reader, I think you can almost do anything and the reader will continue to read because the language can be so intoxicating. It's using metaphor, repetition, alliteration, onomatopoeia—all the things that are poetic devices—but it's telling a story and it's breaking it into 10 or 20 words on a page. I learned a lot from Stanley Kubrick and translating that into literature. It’s pretty amazing," Reynolds confirmed on Good Morning America in 2018. They definitely need to see it. REYNOLDS: At the end of the day, for me, I do this sheerly out of one, my love for children, first and foremost. Who is your favorite? How did rap music give Reynolds “voice”? Copy of Jason Reynolds interview questions, The Poverty and Transformation of Gang Violence.docx, North Carolina State University • ENGLISH 400, California State University Los Angeles • ENGL 1010, Southern Connecticut State University • SOC 102. It's people. NEA: Why is it so important for readers to see themselves reflected in books? JASON REYNOLDS: I had a teacher who told me to read the first five pages. Reynolds, who is a Newbery Honor recipient, National Book Award for Young People's Literature finalist, and Coretta Scott King Award winner, among others, recently spoke with us about his career. Not because I don't care, but because that's just not what I write books for. I found books to be pretty boring, so to read a book that was exciting immediately was all I really needed to hook me in. “Music is a moral law. Black Boy is a book where on the second page, the narrator burns the house down. Campbell High is just one of many schools around the country using hip-hop to reach students. REYNOLDS: Ultimately, a lot of my work is coming from my family and true stories about my neighborhood and things I've experienced. Reggae, style of popular music that originated in Jamaica in the late 1960s and quickly emerged as the country’s dominant music. Not a product, not a plotline. If that's the thing that's going to get you reading, so be it. So the first thing I do is invent a person. And two, out of my obsessive belief that we can really make magical things happen with language. 5. And when they're around people who have, they'll be slow to judge. When they see stuff on the news, they'll be slow to judge. Erasure is dismissal. Most kids say that, but if I were to give you a book on Fortnite, from my experience, you'll read it cover to cover. REYNOLDS: I think it depends. Only books about hip-hop, or HIV etc.. 2. Photo by James J. Reddington. My approach is to allow them to understand that they have a place in storytelling. REYNOLDS: Yeah, they don't hate reading. He is the seventh of nine children. Subscribe to see the latest in the music world. What were the social conditions of the 80's? If you're a nonfiction person, that's perfectly alright. If I were to hold novels up to all the other storytelling mediums, whether it be movies or plays, there are certain beats that are used to make sure the reader or the viewer stays engaged. Everything's open though. 5. James Baldwin, Toni Morrison, Walter Dean Myers, Jacqueline Woodson, Jesmyn Ward—these to me are some of the greatest writers that ever lived, and I've been to learn a great deal from reading them and stealing from them and mimicking them. It was widely perceived as a voice … It gave him a voice and let him express who he is and that now he can speak his mind, which gave him the voice of writing. It's like anything else. NEA: And what about a young person who might not have experienced any of these challenges—how do you hope your books might affect them? Nonfiction runs the industry anyway. I'm just like them. Your story is valuable. He even brags about it. How am I ever supposed to believe that I can make a thing happen when I don't ever get examples of seeing myself make things happen? Reynolds Rap Horror in the Haight From homeless tent handouts to street brawls to an increase in burglaries, Supervisor Dean Preston has made life in the Haight a living hell How do you use music in movies to create tension and how does that translate on the page? Gangsta rap, form of hip-hop music that became the genre’s dominant style in the 1990s, a reflection and product of the often violent lifestyle of American inner cities afflicted with poverty and the dangers of drug use and drug dealing. The connection between African drumming and hip-hop has continued to fascinate Reynolds. This preview shows page 1 - 2 out of 2 pages. REYNOLDS: Ultimately, because if we don't see ourselves in books, it's like someone saying you don't exist, period. So I'm taking a different approach. The more rap music that is consumed, the higher levels of violence in society. These are ideas that I took from music. It's the same thing if we don't see ourselves in movies or we don't see ourselves in music. - it is complex, make him know how he is good enough 5. Many star YA and children’s authors, including Jason Reynolds, say hip-hop influenced their work, and several popular books for young people feature plot lines about the music. "That was a voice memo that ended up on a [Taylor Swift] song. Their story is more valuable than mine, it's more valuable than the books that they read. I see it. House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a tempo of 120 to 130 beats per minute. It's a very different approach, it's going to be a lot of interviewing, it's going to be a lot of talking and conversations about everyday life things so they can put a human identity to the pages of the book and know that I'm a regular person, just like them. It was rap music, in fact, that opened Reynolds to the world of literature. 4. 6. I want the reader to feel transported and I want the reader to feel transfixed. All of my books have a musical undertone. These are just basic elements that I think make stories work. - when he in … The members were Grandmaster Flash (original name Joseph Saddler; b. January 1, 1958), Cowboy (original name Keith Wiggins; b. September 20, 1960—d. Reynolds concludes that it was and was not “insane.” Why, in one sense, wasn’t it “insane”. - give him a voice 4. Directions: Answer the following questions while viewing the video. REYNOLDS: It's for the most part early in the morning, 6 o'clock in the morning, sitting at my desk. Then I think about what's the environment and what's the relationship between the environment, this person, and the conflict. That they actually have a voice and a story to tell, and that their story is just as valuable as any of the stories that their teachers and parents and myself are telling them to read. It was created by DJs and music producers from Chicago's underground club culture in the 1980s, as DJs from the subculture began altering disco songs to give them a more mechanical beat and deeper basslines. Those are my heroes. It gives soul to the universe, wings to the mind, flight to the imagination, and charm and gaiety to life and to everything.” —Plato. So let's focus on the important thing, which is literacy. But there's value in knowing that you're not alone. It's a physical manifestation of a progress clock. It deserves to be heard.” So that when they pick up a story that somebody else wrote, they can see it with clear eyes. Who's telling the story? And thus began Reynolds’s obsession with what he describes as the “intoxicating” power of language. Ryan Rodney Reynolds was born on October 23, 1976 in Vancouver, British Columbia, Canada, the youngest of four children. There's value in knowing that there are a lot of people feeling the way you feel. But having a relationship with literature has made me a much better person. Like, Subscribe and Comment! I'm not extraordinary, I'm not exceptional. Reynolds concludes that it was and was not “insane.” Why, in one sense, wasn’t it “insane” for Reynolds not to have read a novel until he was that old? From there, I start to build the story. NEA: What do you think makes a book boring? It consists of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted. Now, as the new National Ambassador for Young People’s Literature, Reynolds is helping young people find their own story, which he hopes will serve as a gateway to a lifelong appreciation for writing and reading. I think language makes books wonderful. Development of ghettos and gangs as an articulation of anger. How do you hope your novels in verse might help change perceptions of poetry? REYNOLDS: Rap music specifically. [My novel in verse] Long Way Down is storytelling, it's straight-ahead language. For me it might be space. NEA: In terms of the types of conflicts you write about, how do you hope your books might help young people facing challenges like violence, police brutality, loss, etc.? The chant most important for Western music is the so-called Gregorian repertory, earliest preserved in French manuscripts beginning from c. 900. High theft and violence in attempts to regain resources. How many beats per minute are in this book? We talk about rap music and Jordans and we dance, and at the end of all of that, they say, 'Yo, I like this guy. Let's put something interesting in the first act of the story. I'm gonna read these books.'" I think characters that feel real, and not caricatures of people. REYNOLDS: I think poetry gets a bad rap because of the way it's taught in school, because of the poets that they choose to teach in school. If we realize that there are all different categories of poetry, different traditions of poetry, I don't think poetry would have the rap that it has. I try to be honest for me, I try to flex certain literary devices for me. I'm less concerned with literature and more concerned with literacy. What inspired you to open up Black Boy and not only begin reading, but keep reading? Be sure each answer is written using, 1. This is the real work: that the kids who grew up in these kinds of communities or who had these kinds of issues no longer need to feel ashamed, and the kids who never touched this kind of stuff no longer have to feel afraid. But I couldn’t agree with Plato more. NEA: Beyond music, what have been some other major influences or inspirations for you? Intuition is key. Grandmaster Flash and the Furious Five, American group that was instrumental in the development of hip-hop music. You hear writers say, "I write for me." All these things are connected. 3. Even in fiction, let alone in the real world. I've got my notebooks, I've got my computer, I've got my coffee. Music taught me intuition. I am constantly trying to figure out how to crack the next bit of that code, to make something incredible happen just by putting one word next to another. Why does Reynolds consider his books to be “thank-you letters” and “love notes”? September 8, 1989), Melle Mel Reynolds concludes with a powerful claim: “Your life is dependent upon your relationship with words.” His 13 books for young people—including works of poetry and novels in verse—do not shy away from tough topics like police brutality, violence, and personal loss, empowering readers who might feel trapped in similar challenging circumstances. I don't think they're telling young people that. That's really what I always am trying to do—not necessarily give them morals or teach them valuable lessons. If a person had to read it out loud, how would it sound, how would it flow, how fast would it move? The truth is, I don't necessarily write just for me. Their basic framework is the same, he says: A repetitive loop creates the foundation for rhythmic play by the main voice, whether human or drum. In this compilation we spotlight some of the most unexpected RAP AUDITIONS in The Voice Kids. If you can turn the pages, you keep going. How did rap music give Reynolds “voice”? The romanticization of the outlaw at the centre of much of NEA: You’ve spoken frequently about how you didn’t read a full book until you were a teenager. If we can convince them to believe that who they are and what they have to say is the most expensive thing they'll ever own, then to read someone else's story feels a lot less daunting. If we don't do them, that's fine, but we can't be upset when a 15-year-old is like, "This book feels kind of boring to me." Rap music is poetry. Can you tell me more about how music turned you on to writing poetry? People who really understand food because they cook it themselves really know what they're eating when they go to restaurants and have a greater appreciation for it, whether they like it or not. Learn more about hip-hop’s history and culture in … 5. The truth of the matter is that that's no different than what their teachers tell them every day. Noah share an anecdote (short story to give context to another point) regarding a young African American. Why does Noah suggest that it was “insane” that Reynolds hadn’t read a whole book until he, 2. For me, it's all about acknowledgement, it's all about bearing witness to young people's lives. As a young person, Jason Reynolds was a reluctant reader—he speaks frequently about how he did not read a full novel until he was in college. I know- intense. NEA: What you think makes a book not boring? I just took ahold of my story. How did rap music give Reynolds "voice"? Why does Reynolds consider his books to be "thank-you letters" and "love notes"? NEA: I think poetry often gets a bad rap, especially among young people. What role did hip hop play in helping Reynolds to become a writer? Reading what? American rapper and songwriter Nas became a dominant voice in 1990s East Coast hip-hop. That's the way it works—it's art. She complemented her music with a bold persona that included colorful wigs and risque clothing. Hip hop music, also known as rap music, is a genre of popular music developed in the United States by inner-city African Americans and Latino Americans in the Bronx borough of New York City in the 1970s. So I was a young person who discovered rap music and started to write it. Here are 10 artists from locales where you might not expect to find Hip-Hop. Or when they hear stuff coming from their parents' mouths that they know doesn't make sense, they'll be slow to judge. Dan Reynolds, Soundtrack: Suicide Squad. Your life doesn't matter; your story doesn't matter. So my goal is to say, “You have a story. Dan Reynolds was born on July 14, 1987. How did rap music give Reynolds “voice”? That was Alfred Hitchcock's whole thing—how do you shift the frame to create dissonance for the viewer without having to say that something scary is happening? [It introduced me to] the idea of sound. His art form of choice was rap music, which he listened to enthusiastically. Because whether or not they've experienced these types of challenges, they'll be around people who have. What are they? I know it." What role did hip hop play in helping Reynolds to become a writer? Nicki Minaj, Trinidadian-born singer, songwriter, television personality, and actress who was known for her flowing quick-spoken rap style and for her provocative lyrics. And that's okay. That's music. I live a curious, wide-open life so that I can pull from all these kinds of things. So then the question becomes how come I can't figure out how to give you a book on Fortnite? It doesn't have to be an explosion, but just some sort of conflict, some kind of tension. Everybody likes turning pages. 6. In terms of the actual storytelling, I'm thinking about the reader. But that progress needs to be catalyzed, and poetry is a way to catalyze progress, because it's only 20, 30 words per page. It's theater. Some of the songs give voice to voiceless communities and others just celebrate life from the artist’s cultural perspective — but all of them have a great sound and we think they’re worth a listen. Rap was established as a resistance to whites. By the 1970s it had become an international style that was particularly popular in Britain, the United States, and Africa. [I read them] to see what my possibilities are, to see if I'm pushing myself. The man has no remorse. I think academia might be ruining the potential for poetry to be the number-one literary genre. But the truth is, realized that even the format, looking at the way it's broken down into first verse, first chorus, some sort of bridge is no different than certain poems or limericks or sonnets. Nowadays we have the ultimate shut-up card because we have Kendrick Lamar's Pulitzer to say, "Now what?" Once you learn how to cook a meal, you can appreciate or discriminate a chef more clearly. They just hate being bored. We can emulate our heroes until we carve out our own name. Movies—I learned a lot from Alfred Hitchcock. How you use space between words, between paragraphs to do the exact same thing that music does in scary movies—build tension? And then what complicates that person's life? His father, James Chester Reynolds, was a food wholesaler, and his mother, Tamara Lee "Tammy" (Stewart), worked as a retail-store saleswoman. And that was it. Reading anything, or reading novels, or reading what they tell you to read in school? REYNOLDS: My goals are right in line with what we're talking about. While it might seem extreme to give music that much power, this guy knew what he was talking about. 3. I haven't read some of those books, and I'm not made a worse person for it. 4. for Reynolds not to have read a novel until he was that old? I don't always have a fix for it, just like you don't feel like you have a fix for it. The 2000s are a hard decade to pin down, but there does seem to be some certainty about the primacy of Radiohead's Kid A in any discussion of the music of the period. Hip-hop, cultural movement that attained popularity in the 1980s and ’90s and the backing music for rap, the musical style incorporating rhythmic and/or rhyming speech that became the movement’s most lasting and influential art form. 7. No matter how well it's written, if it doesn't sound good when I read it out loud, then it's not good. What's the beat? NEA: I’ve read that you really entered writing through music. I don't have enough education to believe I know enough about the science of writing to not read my work out loud and let my gut do the work. Ryan Reynolds is a voice actor known for voicing Deadpool / Wade Wilson, Detective Pikachu, and Theo / Turbo. But I'm telling a story for everybody else. Lyrics “bridging The Gap from the blues, to jazz, to rap / The history of music on this track” sum up the theme of this song that connects rappers and older musicians, hip-hop to jazz. Thanks for watching! 100,000 Likes and I’ll drop my next video! NEA: Do you have any advice for a young person who thinks they hate reading? I think every person on Earth who reads wants to feel like they're turning those pages rapidly. Well that's cool, but then you should be the reader of the book. So it's really trying to figure out how to use other mediums and other art forms and translate them onto the page. That's one of the psychological parts about reading—it's the feel of turning the pages, and watching the book become thinner and thinner in terms of what you have left to read. 4. "If it don't sound good, it ain't good"—that's my theory. So this idea that you have to get them to read Hemingway I think is misplaced and a little naive. A man shoots his foe in the head over and over again, leaving him to bleed out on the street. Visit the YouTube Music Channel to find today’s top talent, featured artists, and playlists. Genres of vocal music Medieval and Renaissance periods. The amendments did little to impede rap’s growth, which in 2018 led to nine No 1 albums and 14 No 1 singles (almost twice the number of rap hits to ever top the US Billboard 100 in a year). Why does Reynolds consider his books to be “thank-you letters” and “love letters”? Everyone's story and identity and culture deserves to be seen and celebrated and valued and praised, especially as young people. I know that my job is supposed to try and [encourage young] people to read and write. What role did hip hop play in helping Reynolds to become a writer? “MOMENTOS” (2011) First of all, we have to figure out what exactly you mean when you say you hate reading. REYNOLDS: For them, it's about making sure they have a certain kind of empathy. I needed there to be immediate action. Keep Us Strong: Poems in Celebration of Black History Month, Artists Reflect on What it Means to Make Good Trouble. And that can be empowering. Why would we treat books any differently? I get it. I [start with] people. It was in listening to the rhythms of rap and seeing how lyrics were formatted in liner notes that he realized rap was, at its essence, simply poetry set to a beat. Daniel Coulter Reynolds is best known for being the lead singer and frontman of the Grammy award-winning band, Imagine Dragons. That's what a lot of people are reading. Several welfare cuts, no government involvement. WATCH THE FULL PERFORMANCES:1. Reynolds outlines two approaches that may help students to connect with literature. So there’s music, but there’s everything. I'm just trying to stand as witness to the truths of young people's lives. However, he was never a reluctant listener. 4. NEA: What are your goals for your time as Ambassador for Young People's Literature? He went to school at Brigham Young University but decided he wanted to pursue music as a career. There's a way the words sort of rise and ebb and flow on the page—that's all from poetry, as a mix with music. NEA: In addition to reading your work out loud, how else would you describe your creative process? In order to that, I have to have the reader in mind. Then as a reader, there are certain books that have influenced me and certain writers. NEA: It sounds safe to say that music continues to influence your writing. How did rap music give Reynolds “voice”? Course Hero is not sponsored or endorsed by any college or university. I just don't know why we wouldn't do these things. Where are the drums in this book?

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12. The standard time allowed for a ‘Wait & Load’ is fifteen minutes. If the vehicle is kept waiting longer than this initial time, the hirer shall be liable for a waiting charge as described by the Provider in their terms and conditions of usage.

13. The Hirer shall ensure that all permissions required before the hire item(s) can lawfully be deposited on the site including the permission required under the Highways Act 1971 have been, or will be obtained, before they request the Provider, or direct the Driver to deposit the hire item(s) on the site; and that the said permission will be kept in force during the period of hire and where necessary for up to 3 working days thereafter. The hirer will ensure that all hire item(s) sited on the highways will be lighted and coned in accordance with the terms and conditions of the highways act and the issuing local authority’s demands.

14. The Hirer shall not move the hire item(s) from the site without the consent of the Provider and where necessary the highway authority; and in any case will undertake to notify Skipandwaste.com as soon as is reasonably possible.

15. The Hirer shall ensure:

a) That the Hirer signs a single or multiple consignment transfer note declaring the waste type and that the waste is accurately described when completing the transfer note.

b) Where the waste type does not conform to the description, as specified on the waste transfer note, or is different to that as specified at the time the hire item(s) was ordered, then charges will vary accordingly.

c) Where inert waste loads (soil/hardcore/muck) are ordered and they are found to contain other waste types, in particular mixed builder’s waste materials thus contaminating the load, the hirer will be charged accordingly for the hire tipping charges (typically £82.50 per tonne). In particular the hirer must be aware of the considerable differences in landfill tax rates. Currently £2.50/tonne for inert materials and £82.50/tonne for active waste materials.

d) Where appropriate, waste is only stored in suitable containers.

e) That no liquids, explosives, toxic, or dangerous materials including, but not limited to fibrous asbestos, solvents, minerals or greases will be placed in the hire item(s) without the written consent of the supplier; and that the contents of the hire item(s) when loaded conform to the requirements of S.I.1980/1709 or any re-enactment thereof and the local waste regulation authority with regard omits suitability for disposal as general or special waste as a controlled waste disposal site.

f) If any waste to which the said section applies is placed in any hire item(s) the Hirer will immediately give the notices required by the said section and send copies of such notices to both Skipandwaste.com and the Provider.

g) That no bonded asbestos will be placed, save where the Hirer has given to Skipandwaste.com, a minimum of seven days’ notice of their intentions so to do and obtained the written agreement of Skipandwaste.com and agreed to the charges to be made with regard thereto.

h) No cans, bottles or other liquid containers are placed in the hire item(s) unless they are dry, free from liquid, residues and open for inspection.
i) That no fridges, freezers, vehicle tyres, car/commercial vehicle batteries and any other waste types, which following changes in legislation from time to time may become classified as a special difficult, or hazardous waste type.

16. The Hirer shall ensure from the time that the hire item(s) is deposited until it is picked up again by the Provider/Supplier:-

a) It is properly sited in accordance with any relevant permission and that all conditions thereof are observed and performed at all times.

b) It is properly coned where necessary during the hours of daylight and coned and lighted during the hours of darkness.

c) No fires are lit in, and no corrosive acid or noxious substance, liquid cement or concrete placed in the hire item(s).

d) It is filled no higher than the top of its sides and in such a manner as to prevent spillage of material, both whilst the container is stationary, or in transit. Where hire item(s) are located on public or third party property and waste is accumulated for any reason whatsoever in the immediate proximity of the hire item(s), Skipandwaste.com reserves the right to supply a further hire item(s) to contain the surplus material and to transfer the same to the hire item(s) and to debit the Hirer with the reasonable costs of so doing.

e) It suffers no damage except fair wear and tear. All damage by fire, vandalism or other means, the Hirer will reimburse the Provider all costs for either replacement or repair; unless the Hirer has taken out an insurance policy with Skipandwaste.com, or provides their own insurance to cover all loss and/or damage whilst the hire item(s) are under the Hirer’s care.

f) No danger is caused by the hire item(s) or its contents to any third party and in particular, but without limitation thereto, to children.

g) No unauthorised removal of the hire item(s) shall take place by the hirer or a 3rd party contractor without the prior consent of the provider. The hirer will be debited all reasonable costs incurred in returning the hire item(s), or in cases where the hire item(s) is deemed lost or stolen the hirer will reimburse the Provider in full. Please note that many insurance policies will not cover theft of hire item(s).

17. Notwithstanding the terms of condition 15 it shall be the Hirer’s duty to notify the Provider of, and the Provider’s responsibility to ensure compliance with, any condition imposed by a highway authority relating to the marking of the hire item(s) with reflective paint.

18. Except as specifically otherwise agreed in writing the Hirer shall fill the hire item(s) within the period of hire as specified by the Provider and shall inform Skipandwaste.com in good time of its readiness for collection or replacement. The Hirer shall ensure that, from the time when collection of the hire item(s) is due to take place until the same is collected, there is left a clear space at one end of the container to terminate the hiring of the hire item(s) the minimum notice period shall be one clear working day.

19. The Provider may arrange the removal or repositioning of the hire item(s) if required at any time to do so by a highway authority or constable in uniform under Section 140 of the Highway Act 1980. The Hirer shall be responsible for the reasonable additional cost thereof on the part of the Provider or Supplier.

20. It is the responsibility of the hirer’s representative on site to keep the hirer’s copy of the ‘Proof of
Delivery’ ticket. Any copies required at a later date will be subject to a £30 administration charge.

21. Except as specifically otherwise agreed in writing, the Provider agrees to dispose of the contents of the hire item(s) as shall be in accordance with the terms of the contract. The Hirer agrees that they will pay the Provider’s reasonable charges of dealing with any of the contents of any hire item(s) which do not comply with the terms of this contract.

22. Risk and Title: The risk in relation to any hire item(s) supplied pursuant to this Contract shall pass to the Hirer upon delivery, in accordance with the Hirer’s request or direction and shall remain with the Hirer until the hire item(s) are collected by the Provider. Title shall not transfer to the Hirer under any circumstances.

23. Where the Service is provided under a consumer transaction as defined by the Consumer Transaction (Restriction on Statements) order 1976, the statutory rights of the Hirer are not affected by these conditions.

24. It is specifically provided and agreed that any compensation &/or damages payment in respect of any claim or claims arising out of, or in connection with, the terms of this contract for any reason whatsoever and howsoever arising, shall not amount in the aggregate to more than the cost of the provision of the service by the Provider, or that part of the Service giving rise to such claim, and in any event not more than £1000; and Skipandwaste.com and any other person entitled to the benefit of this contract shall have no further liability to the Hirer. Except in respect of death or personal injury caused by the negligence of Skipandwaste.com or any other person entitled to the benefit of this contract, Skipandwaste.com or such party shall not be liable to the Hirer by reason of any representation, or any implied warranty, condition or other term, or any duty at common law, or under the expressed terms of this contract, for any consequential loss or damage (whether for loss of profit or otherwise), costs, expenses or other claims for consequential or incidental compensation whatsoever (and whether caused by the negligence of Skipandwaste.com or any other party entitled to the benefit of this contract, their employees, or agents, or otherwise) which arise out of, or in connection with the supply of the service, except as expressly provided in these conditions.

25. Skipandwaste.com shall not be liable to the Hirer or be deemed to be in breach of the contract by reason of any delay in performing, or any failure to perform, any of the provider’s, supplier’s, or co-ordinator’s obligations in relation to the service, if the delay or failure was due to force majeure.

26. Insolvency of Hirer:

a) This clause applies if:

i) The Hirer makes any voluntary arrangement with its creditors or becomes subject to an administration order or (being an individual or firm) becomes bankrupt or (being a company) goes into liquidation (otherwise than for the purposes of amalgamation or
reconstruction); or ii) an encumbrance takes possession, or a receiver is appointed, or any of the property or assets of the Hirer, or

iii) The Hirer ceases or threatens to cease; to carry on business; or

iv) Skipandwaste.com reasonably apprehends that any of the events mentioned above is about to occur in relation to the Hirer and notifies to the Hirer accordingly.

b) If this clause applies, then without prejudice to any other right or remedy available to Skipandwaste.com, Skipandwaste.com shall be entitled to cancel the contract or suspend any further deliveries under the Contract without any liability to the Hirer, and if the Services have been provided but not paid for, the price shall become immediately due and payable, not withstanding any previous agreement or arrangement to the contrary.

27. Refund Policy

27.1 Application for refunds must be sent directly to Skipandwaste.com, in writing, addressed to the Customer Service Manager.

28. Cancellation Policy – Cancellation of Hire. If the hirer chooses to cancel the hire, the following charges will be levied:

More than 4 days’ notice – 10% of total hire charge

1-3 days’ notice – 50% of total hire charge

Less than 24 hours’ notice – 100% of total hire charge

Please note cancellation charges apply on all orders once instruction to deliver has been taken.

Additional Terms & Conditions for Domestic Private Hire

The hirer is responsible for ensuring the position for hire item(s) delivery has a clear access. Blocked access due to abandoned vehicles or materials resulting in failed delivery/collection will incur standing time and or an aborted delivery charge (known generally as a wasted journey fee). The Hirer is responsible for theft or damage to hire item(s) whilst on hire & until hire item(s) is removed by the hire item(s) owner.

Skipandwaste.com cannot accept any liability for any costs incurred through damage to the hirer’s driveway or other property whilst delivering or collecting the hire item(s) off the public highway.

The hire item(s) vehicle is invited off the highways onto private property at the hirer’s own risk, and is a separate arrangement to be confirmed with the Provider. Please note that we draw your attention to the fact that tarmac, block paved, and pattern-imprinted concrete driveways are at most risk.

The Hirer is also responsible for pointing out low lying cables, narrow entrance pillars, manhole covers, and any other potential risks or obstructions to Hire item(s) or the driver, prior to the hire item(s) delivery.
The local authority may require the lighting and coning of all on-road hire item(s) and, unless otherwise advised, it is necessary to obtain the necessary council consent with a road permit. Hirers should note that the fines for failure to light and cone a skip correctly vary according to the regulations set by the permit issuing authority. Hirers are advised to consult https://www.gov.uk/apply-skip-permit prior to completing the request of the hire item(s). Skipandwaste.com can assist in the facilitation of the provision of a valid permit. Please be advised that there will be an administration charge of £15 per permit/paperwork application.

In all cases delivery and collection times are given for guidance only and Skipandwaste.com accepts no liability for any costs incurred due to delays in delivery/collection; or failure to deliver on the preferred delivery date, or at the preferred time due to unforeseen circumstances. In all circumstances invoices exclude exceptional conditions such as force majeure.

In Addition to the above terms

1 INTERPRETATION

1.1 In these conditions the following words have the following meanings:
“Contract” means a contract which incorporates these conditions and made between the Customer and the Supplier for the hire of Hire Goods and/or the sale of Products;
“Customer” means the person, firm, company or other organisation hiring Hire Goods;
“Deposit” means any advance payment required by Skipandwaste.com in relation to the Hire Goods which is to be held as security by Skipandwaste.com;
“Force Majeure” means any event outside a party’s reasonable control including but not limited to acts of God, war, flood, fire, labour disputes, strikes, sub-contractors, lock-outs, riots, civil commotion, malicious damage, explosion, terrorism, governmental actions and any other similar events;
“Hire Goods” means any machine, article, tool, skip, ‘wheelie bin’ and/or device together with any accessories specified in a Contract, which are hired to the Customer;
“Hire Period” means the period commencing when the Customer holds the Hire Goods on hire (including Saturdays, Sundays and Bank Holidays) and ending upon the happening of any of the following events: the physical return of the Hire Goods by the Customer into the Provider’s possession; or the physical repossession or collection of Hire Goods by the Provider;
“Liability” means liability for any and all damages, claims, proceedings, actions, awards, expenses, costs and any other losses and/or liabilities;
“Products” means the products sold to the Customer by Skipandwaste.com; “Rental” means the Provider’s charging rate for the hire of the Hire Goods which is current from time to time during the Hire Period;
“Provider” means the appointed company arranged by Skipandwaste.com to fulfil the terms of the contract and will include its employees, servants, agents and/or duly authorised representatives;
“Services” means the services and/or work (if any) to be performed by Skipandwaste.com for the Customer in conjunction with the hire of Hire Goods including any delivery and/or collection service for the Hire Goods.

2 BASIS OF CONTRACT

2.1 Hire Goods are hired subject to them being available for hire to the Customer at the time required by the Customer. Skipandwaste.com will not be liable for any loss suffered by the Customer as a result of the Hire Goods being unavailable for hire where the Hire Goods are unavailable due to circumstances beyond Skipandwaste.com’s control.
2.2 Where hire of the Hire Goods is to a Customer who is an individual and the hire would be covered by the Consumer Credit Act 1974 the duration of the Hire Period shall not exceed 3 months, after which time the Contract shall be deemed to have automatically terminated.
2.3 Nothing in this Contract shall exclude or limit any statutory rights of the Customer which may not be excluded or limited due to the Customer acting as a consumer. For further information about your statutory rights contact your local authority Trading Standards Department or Citizen’s Advice Bureau.

3 PAYMENT

3.1 The amount of any Deposit, Rental and/or charges for any Services shall be as quoted to the Customer or otherwise as shown in Skipandwaste.com’s online quotation service. Where a Deposit is required for the Hire Goods it must be paid in advance of the Customer hiring the Hire Goods. Skipandwaste.com may also require an initial payment on account of the Rental in advance of the Customer hiring the Hire Goods.
3.2 The Customer shall pay the Rental, charges for any Services, monies for any Products and/or any other sums payable under the contract to Skipandwaste.com at the time and in the manner agreed. Skipandwaste.com’s prices are, unless otherwise stated, exclusive of any applicable VAT for which the Customer shall additionally be liable.
3.3 Payments by the Customer on time under the Contract are an essential condition of the Contract. Payment shall not be deemed to be made until Skipandwaste.com has received either cash or cleared funds in respect of the full amount outstanding.
3.4 Skipandwaste.com reserves the right to withhold payment for any requested hire item, until the appropriate certification and paperwork has been received by Skipandwaste.com. This is usually, but not limited to, Waste Transfer Note, Certification of Waste type and accurate weight thereof.

4 RISK AND TITLE OWNERSHIP AND INSURANCE

4.1 Risk in the Hire Goods and any Products will pass immediately to the Customer when they leave the physical possession or control of the Provider. Title will not transfer to the Customer in any case.
4.2 Risk in the Hire Goods will not pass back to the Provider from the Customer until the Hire Goods are back in the physical possession of the Provider. This shall apply even if the Provider has agreed to cease charging the Rental.
4.3 Ownership of the Hire Goods remains at all times with the Provider. The Customer has no right, title or interest in the Hire Goods except that they are hired to the Customer.
4.4 The Customer must not deal with the ownership or any interest in the Hire Goods. This includes but is not limited to selling, assigning, mortgaging, pledging, charging, securing, hiring, withholding, exerting any right to withhold, disposing of and/or lending.
4.5 The Provider may provide reasonably priced insurance in respect of the Hire Goods at additional cost to the Rental. Alternatively the Provider may require the Customer to insure the Hire Goods on such reasonable terms and for such reasonable risks as the Provider may specify. The proceeds of any such insurance shall be held by the Customer in trust for the Provider and be paid to the Provider on demand. The Customer must not compromise any claim in respect of the Hire Goods and/or any associated insurance without the Provider’s written consent.

5 DELIVERY, COLLECTION AND SERVICES

5.1 It is the responsibility of the Customer to collect the Hire Goods from the Provider and return them to the Provider at the end of the Hire Period. If the Provider agrees to deliver or collect the Hire Goods to and/or from the Customer it will do so at its standard delivery cost and such delivery and/or collection will form part of the Services.
5.2 Where the Provider provides Services the persons performing the Services are servants of the Customer and once the Customer instructs such person they are under the direction and control of the Customer. The Customer shall be solely responsible for any instruction, guidance and/or advice given by the Customer to any such person and for any damage which occurs as a result of such persons following the Customer’s instructions, guidance and/or advice except to the extent that the persons performing the Services are negligent.
5.3 The Customer will allow and/or procure sufficient access to and from the relevant site and procure sufficient unloading space, facilities, equipment and access to power supplies and utilities for the Provider’s employees, subcontractors and/or agents to allow them to carry out the Services. The Customer will ensure that the site where the Services are to be performed is, where necessary, cleared and prepared before the Services are due to commence.
5.4 If any Services are delayed, postponed and/or are cancelled due to the Customer failing to comply with its obligations the Customer will be liable to pay the Provider’s additional standard charges from time to time for such delay, postponement and/or cancellation except where the Customer is acting as a consumer and the delay is due to a Force Majeure event.

6 CARE OF HIRE GOODS

6.1 The Customer shall:-
6.1.1 not remove any labels from and/or interfere with the Hire Goods, their working mechanisms or any other parts of them and take reasonable care of the Hire Goods and only use them for their proper purpose in a safe and correct manner in accordance with any operating and/or safety instructions provided or supplied to the Customer;
6.1.2 Notify the Provider immediately after any breakdown, loss and/or damage to the Hire Goods;
6.1.3 Take adequate and proper measures to protect the Hire Goods from theft, damage and/or other risks;
6.1.4 Notify the Provider of any change of its address and upon the Provider’s request provide details of the location of the Hire Goods;
6.1.5 Permit the Provider at all reasonable times to inspect the Hire Goods including procuring access to any property where the Hire Goods are situated;
6.1.6 keep the Hire Goods at all times in its possession and control and not to remove the Hire Goods from the United Kingdom without the prior written consent of the Provider;
6.1.7 be responsible for the conduct and cost of any testing, examinations and/or checks in relation to the Hire Goods required by any legislation, best practice and/or operating instructions except to the extent that the Provider has agreed to provide them as part of any Services;
6.1.8 Not do, or omit to do, anything which will, or may be deemed to, invalidate any policy of insurance related to the Hire Goods, which is notified to the Customer;
6.1.9 not continue to use Hire Goods where they have been damaged and will notify Skipandwaste.com and the Provider immediately if the Hire Goods are involved in an accident resulting in damage to the Hire Goods, other property and/or injury to any person; and
6.1.10 where the Hire Goods require fuel, oil and/or electricity ensure that the proper type and/or voltage is used and that, where appropriate, the Hire Goods are properly installed by a qualified and competent person.
6.2 The Hire Goods must be returned by the Customer in good working order and condition (fair wear and tear excepted) and in a clean condition together with all insurance policies, licences, registration and other documents relating to the Hire Goods.

7 BREAKDOWN

7.1 The Provider will at its own cost carry out all routine maintenance and repairs to the Hire Goods during the Hire Period and all repairs which are required due to fair wear and tear and/or an inherent fault in the Hire Goods. The Customer will be responsible for the cost of all repairs necessary to Hire Goods during the Hire Period which arise otherwise than as a result of fair wear and tear, an inherent fault and/or the negligence of the Supplier while carrying out routine maintenance and/or repairs.
7.2 The Customer must not repair or attempt to repair the Hire Goods unless authorised to do so in writing by Skipandwaste.com or the Provider.

8 LOSS OR DAMAGE TO THE HIRE GOODS

8.1 If the Hire Goods are returned in damaged, unclean and/or defective state except where due to fair wear and tear and/or an inherent fault in the Hire Goods the Customer shall be liable to pay the Provider for the cost of any repair and/or cleaning required to return the Hire Goods to a condition fit for re-hire and to pay the Rental, in accordance with the provisions of clause 8.3, until such repairs and/or cleaning have been completed.
8.2 The Customer will pay to the Provider the replacement cost of any Hire Goods which are lost, stolen and/or damaged beyond economic repair during the Hire Period less the amount paid to the Provider under any policy of insurance taken out in accordance with these conditions.
8.3 The Customer shall pay the Rental for the Hire Goods up to and including the date it notifies Skipandwaste.com that the Hire Goods have been lost, stolen and/or damaged beyond economic repair. From that date until Skipandwaste.com has replaced such Hire Goods the Customer shall pay, as a genuine pre-estimate of lost rental profit, a sum as liquidated damages being equal to two thirds of the Rental that would have applied for such Hire Goods for that period. Skipandwaste.com shall use its reasonable commercial endeavours to purchase replacements for such Hire Goods as quickly as possible using the monies paid under clause 8.2 above.

9 TERMINATION BY NOTICE

9.1 If the Hire Period has a fixed duration, subject to the provisions of Section 10 neither the Customer nor Skipandwaste.com shall be entitled to terminate the Contract before the expiry of that fixed period unless agreed with the other party.
9.2 If the Hire Period does not have a fixed duration either of the Customer or Skipandwaste.com is entitled to terminate the Contract upon giving to the other party any agreed period of notice.
9.3 If no period of notice has been agreed or specified the Customer may terminate the Hire Period by the physical return of the Hire Goods to the Provider and Skipandwaste.com shall be entitled to terminate the hire of the Hire Goods by giving not less than 14 days’ notice to the Customer.

10 DEFAULT

10.1 If the Customer:-
10.1.1 Fails to make any payment to Skipandwaste.com when due without just cause;
10.1.2 breaches the terms of the Contract and, where the breach is capable of remedy, has not remedied the breach within 14 days of receiving notice requiring the breach to be remedied;
10.1.3 Persistently breaches the terms of the Contract;
10.1.4 provides incomplete, materially inaccurate or misleading facts and/or information in connection with the Contract;
10.1.5 pledges, charges or creates any form of security over any Hire Goods, or ceases or threatens to cease to carry on business, or proposes to compound with its creditors, applies for an interim moratorium in respect of claims and/or proceedings, any distress, execution or other legal process is levied on any property of the Customer, has a Bankruptcy Petition presented against it or the Customer takes or suffers any similar action in any jurisdiction;
10.1.6 being a company, enters into voluntary or compulsory liquidation, has a receiver, administrator or administrative receiver appointed over all or any of its assets, any attachment order is made against the Customer, any distress, execution or other legal process is levied on any property of the Customer or the Customer takes or suffers any similar action in any jurisdiction;
10.1.7 appears reasonably to Skipandwaste.com due to the Customer’s credit rating to be financially inadequate to meet its obligations under the Contract; and/or
10.1.8 appears reasonably to Skipandwaste.com to be about to suffer any of the above events; then Skipandwaste.com shall have the right, without prejudice to any other remedies, to exercise any or all of the rights set out in clause 10.2 below.

10.2 If any of the events set out in clause 10.1 above occurs in relation to the
Customer then:-
10.2.1 Except where the Customer is acting as a consumer, Skipandwaste.com may enter, without prior notice, any premises of the Customer (or premises of third parties with their consent) where Hire Goods owned by Skipandwaste.com may be and repossess any Hire Goods;
10.2.2 Skipandwaste.com may withhold the performance of any Services and cease any Services in progress under this and/or any other Contract with the Customer;
10.2.3 Skipandwaste.com may immediately cancel, terminate and/or suspend without Liability to the Customer the Contract and/or any other contract with the Customer; and/or
10.2.4 All monies owed by the Customer to Skipandwaste.com shall immediately become due and payable.

10.3 Any repossession of the Hire Goods shall not affect Skipandwaste.com’s right to recover from the Customer any monies due under the Contract and/or any damages in respect of any breach which occurred prior to repossession of the Hire Goods.

10.4 Upon termination of the Contract the Customer shall immediately:
10.4.1 return the Hire Goods to Skipandwaste.com and/or Skipandwaste.com’s nominated Provider; or make the Hire Goods available for collection by Skipandwaste.com’s nominated Provider as requested by the Provider; and
10.4.2 Pay to Skipandwaste.com all arrears for Rentals, Charges for any Services, monies for any Products and/or any other sums payable under the Contract.

11 LIMITATIONS OF LIABILITY

11.1 All warranties, representations, terms, conditions and duties implied by law relating to fitness, quality and/or adequacy are excluded to the fullest extent permitted by law.
11.2 If Skipandwaste.com is found to be liable in respect of any loss or damage to the Customer’s property the extent of Skipandwaste.com’s Liability will be limited to the retail cost of replacement of the damaged property.
11.3 Any defective Hire Goods must be returned to Skipandwaste.com’s nominated Provider for inspection if requested by Skipandwaste.com’s nominated Provider, before Skipandwaste.com’s nominated Provider will have any Liability for defective Hire Goods.
11.4 Skipandwaste.com shall have no Liability to the Customer if, without just cause, any monies due in respect of the Hire Goods and/or the Services has not been paid in full by the due date for payment.
11.5 Skipandwaste.com shall have no Liability for additional damage, loss, liability, claims, costs or expenses caused, or contributed to, by the Customer’s continued use of defective Hire Goods and/or Services after a defect has become apparent, or suspected, or should reasonably have become apparent to the Customer.
11.6 The Customer shall give Skipandwaste.com a reasonable opportunity to remedy any matter for which Skipandwaste.com is liable, before the Customer incurs any costs and/or expenses in remedying the matter itself. If the Customer does not do so Skipandwaste.com shall have no Liability to the Customer in this regard.
11.7 Skipandwaste.com shall have no Liability to the Customer to the extent that the Customer is covered by any policy of insurance arranged as a result of the Contract and the Customer shall ensure that the Customer’s insurers waive any and all rights of subrogation they may have against Skipandwaste.com.
11.8 Skipandwaste.com shall have no Liability to the Customer for any:-
11.8.1 Consequential losses (including loss of profits and/or damage to goodwill and/or reputation);
11.8.2 Economic and/or other similar losses;
11.8.3 Special damages and indirect losses; and/or
11.8.4 Business interruption, loss of business, contracts and/or opportunity.

11.9 Skipandwaste.com’s total Liability to the Customer under and/or arising in relation to any Contract shall not exceed 5 times the amount of the Rental and charges for Services (if any) under that Contract or the sum of £1,000 whichever is the higher. To the extent that any Liability of Skipandwaste.com to the Customer would be met by any insurance of Skipandwaste.com, then the Liability of Skipandwaste.com shall be extended to the extent that such Liability is met by such insurance.

11.10 Each of the limitations and/or exclusions in this Contract shall be deemed to be repeated and apply as a separate provision for each of:
11.10.1 Liability for breach of contract;
11.10.2 Liability in tort (including negligence); and
11.10.3 Liability for breach of statutory and/or common law duty; except clause 11.9 above, which shall apply once only in respect of all the said types of Liability.

11.11 Nothing in this Contract shall exclude or limit the Liability of Skipandwaste.com for death or personal injury due to Skipandwaste.com’s negligence, nor exclude or limit any other type of Liability which it is not permitted to exclude or limit as a matter of law.

12 GENERAL

12.1 Upon termination of the Contract the provisions of clauses 3.2, 3.4, 3.5, 8.1, 8.2, 8.3 and Section 6 shall continue in full force and effect.

12.2 Each hire of an item of Hire Goods shall form a distinct Contract which shall be separate to any other Contract relating to other Hire Goods.

12.3 The Customer shall be liable for the acts and/or omissions of its employees, agents, servants and/or subcontractors as though they were its own acts and/or omissions under this Contract.

12.4 The Customer agrees to indemnify and keep indemnified Skipandwaste.com against any and all losses, lost profits, damages, claims, costs (including legal costs on a full indemnity basis), actions and any other losses and/or liabilities suffered by the Supplier and arising from or due to any breach of contract, any tortuous act and/or omission and/or any breach of statutory duty by the Customer.

12.5 No waiver by Skipandwaste.com of any breach of this Contract shall be considered as a waiver of any subsequent breach of the same provision, or any other provision. If any provision is held by any relevant competent authority to be part of the validity of the other provisions of this Contract and the remainder of the affected provision shall be unaffected and shall remain in full force and effect.

12.6 Skipandwaste.com shall have no Liability to the Customer for any delay and/or non-performance of a Contract to the extent that such delay is due to any Force Majeure events. If Skipandwaste.com is affected by any such event then time for performance shall be extended for a period equal to the period that such event or events delayed such performance.

12.7 All third party rights are excluded and no third parties shall have any rights to enforce the Contract.

This shall not apply to any finance company with whom Skipandwaste.com has an outstanding finance agreement relating to the Hire Goods. Such finance company shall, subject to Skipandwaste.com’s consent, have the right to enforce this Contract as if they were the Supplier. This Contract is governed by and interpreted in accordance with English law and the parties agree to submit to the non-exclusive jurisdiction of the English courts.

13 ADDITIONAL CONDITIONS

13.1 Skipandwaste.com may insert and present for payment any balance due and unpaid where the Customer has signed a blank or nil value debit or credit card voucher. The Supplier may also process interim payments by credit or debit card at any stage of the Contract.